U.S., 1991, 59 min, 2K DCP, Dir. Camille Billops & James Hatch, Not Rated, Third World Newsreel

Finding Christa

Friday, March 17

"Full of expressions of spontaneous emotion, it is terrifically artful..." —The New York Post

"For Camille Billops, autobiography is a means to a new black documentary style." —Sight and Sound Magazine

Click here to buy tickets.


This screening includes a conversation with Rachelle Salnave moderated by Dr. Terri Francis.

This startlingly personal documentary presents a moving yet unsentimental view of motherhood and adoption. It explores the feelings surrounding the reunion of a young woman with her birth mother twenty years after being given up for adoption. The reunion is between filmmaker Camille Billops and her own daughter, Christa. Facing the re-encounter with mixed emotions, Billops interrogates her family and friends as well as her own motivations. The result is an original and daring work that challenges social biases about adoption and offers new insight into mother-daughter relationships.

About Rachelle Salnave

Rachelle Salnave is a filmmaker and cultural leader. With over 20 years of experience, she has focused her lens on Black Global stories. The first of a handful of filmmakers to document the gentrification of Harlem, Rachelle works include capturing stories about the Haitian Guantanamo Bay experience, Macadamia Nut planting experiments in Guatemala and spotlighting Haitian identity and its society. Rachelle was part of the first class of Sundance Institute Screenwriters Intensive Fellows in Miami in 2015. In that year, the General Consulate of the Republic of Haiti nominated Salnave with the “Beacon of Hope and Achievement” award. Her second feature documentary, LA BELLE VIE: THE GOOD LIFE landed her an Emmy nomination in 2016. In 2017, Knight Foundation honored Rachelle as a “Knight Arts Champion” for her cinematic programming, Ayiti Images and Black Lounge Films. Her current documentary films, MADAME PIPI is airing on PBS' REEL SOUTH season 7 and her 3rd feature documentary entitled DUAL CITIZEN is in post-production. Rachelle has been newly appointed Executive Director of Artists Institute in Jacmel, Haiti.

Click here to read Thinking Through Camille Billops, Dr. Terri Francis’ essay about the pioneering filmmaker.

Screening of Finding Christa will be preceded by Suzanne, Suzanne.

Suzanne, Suzanne
written and directed by Camille Billops & James Hatch
25 min

A remarkably incisive short documentary film, much more than one woman's story of abuse and addiction, this film captures the nature and spirit of a troubled family.

Click here to learn more about the film.

Join us this Women's History Month for A String of Pearls: The Films of Camille Billops & James Hatch, a retrospective series guest programmed by Dr. Terri Francis.

About the series

The first-ever worldwide theatrical retrospective of the complete films of Camille Billops and James Hatch centers Black cultural life and storytelling on screen with six autobiographical works that innovate documentary form and artfully weave together personal histories and social issues.

Camille Billops (1933-2019) was a fearless filmmaker, artist, sculptor, historian, archivist, and staunch supporter of Black art and artists. Billops came into her own within the converging contexts of the 1960s civil and human rights struggles, New York's emerging Black artists movement, and her personal struggles for affirmation. Her work is autobiographical, interpretive, and challenging. Without apology, she successfully drew from her life's experiences, her education, and her observations of the world around her to carve out a space for her voice to be heard. She and her husband James made their loft in SoHo a hub for artistic collaborations, collecting thousands of books, documents, photographs, and ephemera related to Black culture. They held salons with Black artists, performers, and musicians, and recorded more than 1,200 oral histories, which were published in an annual journal called Artist and Influence.

James V. Hatch (1928-2020) was a historian of Black theater who taught English and theater at the City College of New York for three decades. He has written and co-written more than a dozen books, including The Roots of African American Drama: An Anthology of Early Plays, 1858-1938" (1990), which he edited with Leo Hamalian, and Sorrow Is the Only Faithful One: The Life of Owen Dodson (1993), about the titular Black poet and playwright.

Camille Billops and James Hatch made six films together, starting with Suzanne, Suzanne (1982) and ending with A String of Pearls (2002). At the time of Billops' death the two were working on their final film, Mama and Papa Lala, which is still left incomplete. All films in this retrospective have been newly digitized in 2K, with a special 4K restoration of Suzanne, Suzanne.

About Dr. Terri Francis

Terri Francis is associate professor in the School of Communication at the University of Miami and the author of Josephine Baker’s Cinematic Prism (Indiana University Press, 2021). Francis is a 2022 Andy Warhol Foundation Arts Writers Grantee for her forthcoming book Make that Art!: Kevin Jerome Everson’s Body of Work. Her art writing has appeared in exhibition catalogs as well as the publications Mubi Notebook, Another Gaze, Bitch, Seen, Revue Initiales: Joséphine Baker Directed by Women, Lithub, Salon, and Shadow and Act. Her writing about black performance, film, and the conundrums of black representation has been featured in the academic journals Film History, Black Camera, Transition, Feminist Media Histories, ASAP, and Film Quarterly. From 2017–21, Francis directed the Black Film Center & Archive at Indiana University and secured the donation of African filmmaker Paulin Soumanou Vieyra’s written archive in addition to curating several film series, including Race Swap, Black Sun/White Moon and Love! I’m in Love!, and hosting several speakers series.

Francis is a frequent guest speaker and panel moderator, and she delivered the 2021 Rajiv Vaidya Memorial Lecture for the National Gallery of Art in Washington D.C. With Betsy Stirratt she co-curated and published the catalog for the film installation Rough and Unequal: A Film by Kevin Jerome Everson. As a member of the editorial board of the Journal of Cinema and Media Studies, Francis edited the open-access dossier Film Programming as Social Justice Work in the Wake of Covid-19, featuring essays from programmers, platform founders, and writers about their work during the summer of 2020.

Check out the rest of our A String of Pearls: The Films of Camille Billops & James Hatch retrospective program!